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The Daso poster isn’t controversial


by Darren Gilbert on 26 January 2012

There is something that needs to be said about manufactured situations in advertising. Such advertising pursues these situations in an effort to create controversy. You don’t need to look further than an ad from Benetton to understand that. There is also another thought though: They can smack of desperation, a fact that FoxP2 managing director, Charl Thom believes leads to the damage of your brand. There is debate over how lasting that damage is, but that’s a whole different blog post.

So what about the Daso poster? Well, as I stated at the end of my article, there is certainly a hint of controversy surrounding the poster. However, that doesn’t necessarily make the poster controversial. In fact, it really isn’t controversial. I acknowledge it may be uncomfortable for some, but interracial couples are a reality. If it had come out 50 years ago, then I’d put up my hand and agree that it could be controversial. However, not now. In fact – and Artwell Nwaila, creative editor of COUP, backs me up here – if anything, the image is an outdated concept. “Posters of black and white people holding hands with a rainbow over their heads are as boring as hell.”

Neither does it smack of desperation. The reason behind the unveiling of the poster was to spark much-needed debate on the issue of race. And it did just that. Of course, there was a bigger debate than was expected with a lot of overreaction (such as Cosatu’s recent claim that it promoted “white supremacy”) but isn’t that what a thought-provoking (and not controversial) ad will do? It will cut to the bone and force you to confront issues and preconceived ideas. If an advert aims at representing the truth, how can it be controversial for the sake of it?

There is a big difference between a controversial advert that was made to shock and a thought-provoking one that was made to create debate. I feel the Daso poster, regardless of the reaction it has received, falls into the latter category, not the former.



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